Can’t make it to SXSW? Let the bands come to you

March 7, 2012, Las Vegas Weekly, Noise

Every Avenue These pop-punkers’ angst-driven hooks will make you feel like a teenager again. Don’t worry, puberty is easier the second time around. March 8, Hard Rock Cafe (Strip).

Andrew W.K. The original party-rocker brings his electronic-metal anthems to the Hard Rock Hotel. Destroy build destroy! March 9, Body English.

Thee Oh Sees & White Fence Both hail from San Francisco, and both could be described as a psychedelic rock journey through a lo-fi acid trip. Beauty Bar, March 9.

Diplo The Philly producer/DJ returns to his home away from home where he’ll spin a set spanning dubstep, hip hop and more. March 9, Surrender Nightclub.

Breathe Carolina An electronic pop duo from Denver—and one of the few bands that can pull off a nightclub and the Warped Tour in the same year. March 10, Pure Nightclub.

Chasing Kings Self-described “nice guys” from LA, trying to make an honest living playing mid-tempo rock. March 10, Beauty Bar.

Set Your Goals These Bay Area punk-rockers can cross another goal off their list when they reach Austin later this month. March 12, Hard Rock Cafe (Strip).

Web Link: http://www.lasvegasweekly.com/news/2012/mar/07/cant-make-it-sxsw-wait/

Six questions with 311 bassist P-Nut

March 7, 2012, Las Vegas Weekly, Entertainment

This is the second time in three years 311 will play 311 Day in Las Vegas. Why Vegas? Vegas is a perfect fit. There are tons of hotels, big venues and a reason for our fans to enjoy the city. The West Coast gets a holiday for 311 day. This year, we decided to stretch it out over two days to play even more songs. It’s an experiment for us, and we’re still testing the waters.

What can fans expect? Songs no one has ever heard live. I was just looking at the setlist from 2010, and we’re playing twice as many rare songs right now. That number could always get cut down; we’re still rehearsing. On 311 Day, the people coming have heard the hits, so we’re using these shows as the world premier of many songs. We are practicing some B-sides that were never released, but our fans know the songs and we’ve never thought of playing them. It’s going to be very exciting.

After more than 10 albums and 20 years, how do you guys keep it fresh? Do we? I don’t know. I don’t think we have. I think we’ve fallen into a format as a band that has stifled our creativity, and we’re gonna stab it in the chest and let it bleed in the corner. We’re not afraid of going into dark places and pushing it, saying, “We’re not trying hard enough.”

It was different back when we were all living together and finishing each other’s sentences and playing four or five hours a day. We just can’t do that anymore. I guess we could get a communal house for all our families, which we have talked about. It would make a great VH1 special (laughs).

Do you have a favorite song to perform live? Hard to say. It’s a different song every time the question is asked. I get to play so many different styles and tones and emulate my heroes, it’s always a different song.

Who are some of those heroes? Oh, anyone playing bass, especially Steve Harris of Iron Maiden and Cliff Burton, the original bassist of Metallica. I went through a metal phase when I was 14 or 15.

You have such a devoted following and are so well known for your live performances. Do you feel pressure as a band to continuously up the ante with your live shows? No, I think the door is open to us. We seem to be supported as long as we don’t jump the shark. Enjoying live music is an ancient tradition, and I think we are an anomaly, in that we are wanting to solve conflicts. We don’t just want to rail against a problem, we are looking for solutions to it.

But lately we’ve been writing songs about how much we love our fans. Mostly because our world really ends with them. There’s our family and our fans and really nothing beyond that.

Web Link: http://www.lasvegasweekly.com/news/2012/mar/07/six-questions-311-bassist-p-nut/

Five questions with John Legend

December 28, 2011, Las Vegas Weekly, Entertainment

You’ve played all kinds of venues here: lounges, arenas, clubs. What do you prefer? I just got off a summer tour with Sade, and it’s fun playing to a huge crowd of people. Preference? I love playing music, so as long as it’s a packed crowd.

You play Vegas pretty frequently. Any must-dos for you here? Good food, [and] my girlfriend’s family lives here, so we’re gonna spend some time with them.

When you were working as a management consultant, what was it like living the double, suit-by-day, musician-by-night life? I didn’t get much sleep. It was a weird juxtaposition of working in an office during the day and then going out onstage with Alicia [Keys] and Kanye [West] at night. But those were the dues I was paying at the time.

The Smithsonian Institute named you to its “Black List” of the 50 most influential African Americans. Do you feel pressure to be a role model after something like that?

I don’t think it makes me behave any differently. I’m just being myself. Getting an award is not going to change my behavior; I hold myself to a higher standard.

Are you making any resolutions for 2012? I don’t usually make New Year’s resolutions, but I want to make sure my new record is my best yet. It should be out in the first months of the year, and I want it to be something I can be proud of.

Web Link: http://www.lasvegasweekly.com/news/2011/dec/28/five-questions-john-legend/

The Darkness returns to brighten our musical mood

February 22, 2012, Las Vegas Weekly, Noise

The Darkness’ intergalactic tour ship received permission to land in the desert last Friday, a quick stop on its first North American journey since 2007. Reconquering the States, of course, is a necessary objective in the British band’s quest to complete its rock ’n’ roll circle of life: make it big, crash, burn, break up, rehab, reunite and repeat.

Yes, the group that became a staple on our national party mix by believing in a thing called love is back with its original lineup, and the pent-up rock-xual frustration inside Mandalay Bay’s House of Blues was so palpable you could smell it in the air.

For everything the ’80s got wrong—clothes, hair, trickle-down economics—the decade understood rock showmanship. And The Darkness paid tribute to that era’s over-the-top exploits with minute-long dueling guitar solos, multiple wardrobe changes and glass-shattering falsettos. Friday’s set featured all the hits, including “Growing on Me,” “Get Your Hands Off My Woman,” “One Way Ticket” and, of course, “I Believe in a Thing Called Love.” But The Darkness also cut a little deeper, playing lesser-known fan favorites off both records, plus a handful of new tunes.

In a slight departure from the glam-metal style that popularized the band, the new songs sounded more like Thin Lizzy covers with a discontented Freddy Mercury on lead vocals, but the crowd didn’t seem to mind. The performance felt like a stadium show stuffed tightly into the intimate House of Blues, and after nearly two hours of solid rocking the night ended with security piggy-backing frontman Justin Hawkins across the floor. Naturally, he continued shredding his solo as fans tried to tear him apart.

Web Link: http://www.lasvegasweekly.com/news/2012/feb/22/darkness-returns-brighten-our-musical-mood/

Local open mics for musicians, writers, visual artists and their groupies

Febuary 8, 2012, Las Vegas Weekly, Noise

Some of the best places to showcase your talents are nestled in our local neighborhoods.

The Beat

Human Experience Mondays (7-11 p.m.)

The classic coffeehouse open mic with an urban twist. Hosted by Human Experience, this forum welcomes spoken-word and musical performances, along with painters and other artists of all types. Local favorite Miss Joy spins live DJ sets between performers and during breaks. Sip lattes, swig beer or nosh on tasty coffee-shop fixings while community residents premiere their original talents.

Las Vegas Country Saloon

Hip-Hop Roots (Tuesdays, 10 p.m.)

Las Vegas’ longest-running hip-hop open mic features local artists and regional touring acts. Performers are welcome to bring their own beats on CD, tap the house DJ for some flow, freestyle solo or employ the human beatbox. And though the venue’s name may suggest otherwise, there’s no need to worry about hip-hop remixes of Rascal Flatts.

The Den at The Royal

Sunday Sermon (Last Sunday of each month, 9 p.m.)

The west end of the Royal’s lobby transforms from chic bar to place of musical worship with help from local musicians Ryan Pardey and Bryan Todd. The Sermon’s co-organizers dress the part, donning robes to pay reverence to the performers. Musicians (solo or full bands), comedians, magicians and even filmmakers are invited to display their original art. Adding to the Sunday school vibe: coffee and doughnuts.

Bikini Bar

Open Mic Night hosted by Smokin’ Joe Foresman (Tuesdays, 9 p.m.)

If you’re easing your way into live performance, test the waters at Bikini Bar. The low-key venue harbors a crowd of beer-seeking, bikini-admiring clientele rather than music experts–a perfect cure for stage fright. Live musical performances are streamed on the bar’s website for open-mic homebodies.

Money Plays

Open Mic Night (Thursdays, 9 p.m.)

“Las Vegas’ friendliest bar” hosts an original music-only open mic night in its welcoming, down-home pub atmosphere. Every set is professionally recorded by a sound engineer and at night’s end, CD copies are sold for $5 to interested performers and attendees.

A couple of other notables:

The Cellar Reggae Open Mic Night, Tuesdays, 10 p.m. Mad Libs and Pub Trivia are played during performance breaks.

Brentwood Cafe & Tavern Open Mic Fridays, 9 p.m. Featuring a multi-instrument backline for full bands.

Web Link: http://www.lasvegasweekly.com/news/2012/feb/08/local-open-mics-musicians-writers-visual-artists-a/

De La Soul brings the music — and the video game throwdowns — to Insert Coin(s)

January 18, 2012 Las Vegas Weekly, Noise

“Alright, after this is over I’ll take any y’all on in Pac-Man.” At any other bar in Las Vegas, that statement might raise eyebrows. But when Posdnuos of veteran hip-hop trio De La Soul challenged the full house at Insert Coin(s) last Wednesday, attendees cheered the proposition.

De La Soul’s throwback performance was the first of several promising shows scheduled at the Downtown geekster hot spot. Future acts might have to compete with Mario Kart and Street Fighter for their fans’ attention, but all such activity came to a halt when De La’s Pos, Dave and Maseo tooka the DJ booth-turned-stage.

The night turned out to be more guest appearance than full concert, but Insert Coin(s) partygoers didn’t seem to be complaining. De La Soul set up alongside DJ 88, who spun a slamming set of old-school anthems that lasted into the early morning hours. It was an enjoyable formula: rap a few De La Soul favorites, spin a handful of hits, rap a few more, etc.

And it proved to be a huge success. Sure, the venue could use an upgraded sound system and a dedicated performance stage to take its shows to the next level, but that won’t stop me from heading Downtown for more. If De La Soul comes back I’ll probably bring a date, though, because there’s just no cool way to sway solo to “Me Myself & I.”

Web Link: http://www.lasvegasweekly.com/news/2012/jan/18/de-la-soul-brings-music—-and-video-game-throwdow/